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The original tale of a castaway struggling to survive on a remote desert island, and one of the first novels in English
The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, enlists the help of a native islander who he names 'Friday', and fights off cannibals and mutineers. Written in an age of exploration and enterprise, it has been variously interpreted as an embodiment of British imperialist values, as a portrayal of 'natural man', or as a moral fable. But above all is a brilliant narrative, depicting Crusoe's transformation from terrified survivor to self-sufficient master of an island. This edition contains a full chronology of Defoe's life and times, explanatory notes, glossary and a critical introduction discussing Robinson Crusoe as a pioneering work of modern psychological realism.�
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.
- Sales Rank: #7576 in Books
- Brand: Penguin Classics
- Published on: 2003-04-29
- Released on: 2003-04-29
- Original language: English
- Number of items: 1
- Dimensions: 7.77" h x .68" w x 5.06" l, .48 pounds
- Binding: Paperback
- 288 pages
From School Library Journal
Grade 7 Up-Defoe's classic novel of shipwreck and survival, now nearly 300 years old, is abridged competently in this recording. The flavor of the 18th century language is retained, but the plot moves along at a pace more appealing to 21st century ears. The reader, Martin Shaw, has a pleasant voice, but unfortunately tends to trail off at the ends of sentences, losing whole words. As with all abridgements, large sections of the story and entire characters are omitted, but since most of the book tells of Crusoe's solitary sojourn on the island, this is not a major problem. This version is no substitute for the original, but it would be a supplemental purchase in libraries where abridgements are popular.
Sarah Flowers, Santa Clara County Library, Morgan Hill, CA
Copyright 2000 Reed Business Information, Inc.
From Booklist
One of the first novels ever written, Daniel Defoe's Robinson Crusoe (1719), the classic adventure story of a man marooned on an island for nearly 30 years, is part of our culture. From Scott O'Dell's Island of the Blue Dolphins (1960) to the recent movie Castaway, the elemental situation of the person suddenly alone, who must make a life in a dangerous environment, continues to enthrall all ages. Yet few adults, never mind young people, can wade through Defoe's lengthy tome with its convoluted eighteenth-century prose. So here's a shortened storybook version--retold by Timothy Meis in accessible style, yet true to the spirit of the original and the time when it was first published--in a large picture-book format with clear type, high-quality paper, and more than a dozen unforgettable narrative paintings by Wyeth, first published in 1920 and newly reproduced here in glowing color.
The story begins with the universal quest: the young man in Britain, torn between his safe home and his hunger for adventure, breaks away from his loving father and sails away into the unknown. After a series of harrowing escapes, he's shipwrecked on a desert island. His lively first-person account shows how his intelligence and education help him survive for many years, and how he uses technology, including guns and tools salvaged from the ship. He sets up home, reads the Bible, finds a parrot as a pet, and even devises a calendar to keep track of time. Then one day he finds a human footprint: "Was it someone who could save me and take me back to civilization? Or was it a savage who landed here?" When some "savages" arrive in several canoes, he uses his guns to get rid of them, and he rescues one of their captives, a handsome fellow with very dark skin. Delighted to have a companion at last, Crusoe names the newcomer Friday (since Crusoe found him on Friday). Crusoe teaches "my man Friday" to speak English, fire a gun, carve a canoe, and clothe his nakedness, and they live happily together. Later they rescue a white man and Friday's father from a group of "savages," and, eventually, they all return to their homes.
Defoe is said to have based his novel on the true adventures of Alexander Selkirk (who spent four or five years on an island in the South Pacific) and on accounts of other castaways of the time. The survival adventure is still enthralling. But what about the racism? This is clearly the classic colonialist story, but whose history is it? And how will young people read it today? Is it just boring, politically correct nitpicking to object to the use of the word "savages" throughout the book and even on the book flap? Yes, there are some bad guys among the whites, but even they are called "men"; the dark-skinned people are always known as "savages." How do we talk about this story today? The guns and tools make Crusoe boss, but wouldn't Friday have been able to teach the newcomer some survival skills? Does it never occur to Crusoe to learn Friday's own name and language? Who discovered whom? Wyeth's clear, action-packed illustrations are magnificent. But there's one shockingly jarring scene of Friday groveling in gratitude at Crusoe's feet. When the whites say thanks, they embrace each other.
So, no, the objections are not just P. C. sermonizing. The racism is highly offensive. But the fact that the story is so widely known and has such elemental appeal makes this an excellent book for discussion, especially in classes studying the history of exploration and discovery. Louise Erdrich addressed a similar problem [BKL Ap 1 99] when she commented that although she had loved the Little House books as a child, in rereading them as an adult, she was shocked to recognize that "not only was there no consciousness about the displaced people whose land the newcomers were taking, but also that there was a fair amount of racism." Still, she disagrees with censorship of any kind: "The best way is for good teachers and parents to install racism radar detectors so that kids can make their own judgments, because they're going to have to."
Robinson Crusoe is part of the fine Scribner Storybook Classic series that includes The Last of the Mohicans and Robin Hood, all of which bring readers to Wyeth's paintings. Treasure Island will be out later this year. Hazel Rochman
Copyright � American Library Association. All rights reserved
Review
“Beyond the end of Robinson Crusoe is a new world of fiction. Even though it did not know itself to be a ‘novel,’ and even though there were books that we might now call ‘novels’ published before it, Robinson Crusoe has made itself into a prototype . . . Perhaps because of all the novels that we have read . . . the novelty of Defoe’s fiction is the more striking when we return to it. Here it is, at the beginning of things, with its final word reaching out into the future.” –from the Introduction by John Mullan
Most helpful customer reviews
215 of 229 people found the following review helpful.
WARNING: This is NOT the original text
By Joshua Q
Defoe helped to define the modern fictional novel when he wrote about the tales of Robinson Crusoe. The book has a strong religious theme, as was Defoe's intention. However, this version of the text censors out some of the language against what Defoe called the Papist Church (or the Roman Catholic Church) as well as some items which would be considered racially insensitive today (but leaving in much of it as well). I don't understand why this version leaves out some of those parts, as they completely change the story that Defoe intended. I'm not sure that Amazon knows these texts are censored (not the original) as there is no allusion to it in the book's description.
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41 of 43 people found the following review helpful.
Superior and inspirational reading for adults and teens
By B.C. Scribe
After reading Glyn Williams' trenchant 'The Prize Of All The Oceans' I had an overwhelming desire to read this classic once again. I first read it when I was a mere 10 year old and it completely mesmerized me; I find that it still held the same power over me thirty years later. It is difficult to put this tale down once the title character becomes a castaway on the "island of despair" (as Crusoe refers to it) and he begins the battle against the odds to survive. Facing extreme tropical heat, torrential storms, a dreadful loneliness and the struggle to master some of the simplest of skills we take for granted Crusoe wages his one-man crusade for survival. Beginning his desolate existence steeped in woeful self-pity he slowly realizes through a series of trying circumstances, devotional reading of the Bible and finally relief from his isolated state that the experience proves to be one of reverie. In the process Crusoe becomes quite possibly the most inspirational figure to spring forth from the pages of literature.
Though it is annually listed by literature scholars as one of the 100 finest works of fiction, today primarily adolescents read Defoe's enduring tale as part of their required reading for school; very few others rarely bother with this nearly three century old tale. 'Robinson Crusoe' it seems is a classic awaiting a renaissance of rediscovery by adults who regularly read for either leisure or as a part of continuing education. While the novel's approach to morality may seem a bit old fashioned by today's contemporary standards, the character's awakening to wisdom, inner strength and faith will inspire any reader of any age. Crusoe's ability to steel himself against the onslaught of natural elements, his own self doubts and finally a band of savages who discover his "island empire" should win over even the most jaded of us. This Norton Critical Edition is the perfect package to gain a deep appreciation for this masterpiece of the English language. So do yourself a favor and pick up a copy of this book today and transport yourself back to your youth and also to a time long past. It's a journey you won't regret taking.
86 of 96 people found the following review helpful.
An adventure, but different than you might expect
By frumiousb
The author of Robinson Crusoe, Daniel Defoe, is generally credited with being one of the first novel writers in the English language. The book is surely an influential one-- spawning countless imitations, derivations, and (in our era) reality-based television shows.
It is billed, quite fairly, as an adventure story. However, it is a very different kind of adventure than the modern action-sequence laden book which readers today may expect. It is an adventure story, but one which centers primarily on mastery and morality.
The morality is placed centrally in the book when Crusoe rejects the advice of his father to accept the happiness of the middle class life to which he was born. Against the wishes of his family, he runs off to sea to find adventure. It is not until Crusoe literally recreates a primitive approximation of that middle class life for himself on his island that he is freed.
Crusoe is also a story about the ability of mankind to master his surroundings through hard work, patience, and Christianity. The combination of these three supports are what allow him to escape captivity in Africa, overcome the deadly obstacles on the island, and finally leave the island itself. His physical prowess and combat skills are significantly less important to his journey than the message of trust and persistance that the decades he spends on the island convey. While this message might need tempering for the modern reader, it is also inspirational and important to read.
If the potential reader is not used to the diction of the time, the book itself may take some patience and persistance. It pays off, in the end, and should be an excellent book for the young teenager (or the not-so-young grown-up) interested in stories of adventure. The child who reads and enjoys My Side of the Mountain by Jean Craighead George would probably be a good potential audience for Robinson Crusoe. For a good life-at-sea duo, you might consider pairing it with Two Years Before the Mast by Richard Henry Dana.
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