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Acting the Song: Performance Skills for the Musical Theatre, by Allison Bergman, Tracey Moore
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Directors, teachers of musical theater, and students—including actors, singers, or dancers—will find time-tested advice, exercises and worksheets for all skill levels. This book guides readers through musical theater elements, classroom workshops, and the world of professional auditions and performances.
Chapters cover vocal and physical warm-ups, body movement, finding subtext, creating a character, song structure, interpreting text of music and lyrics, risks and spontaneity, memorization, collaboration, keeping a performance fresh, and much more. Both teachers and students will appreciate the sections for beginning, intermediate, and advanced performers. Everyone involved in musical theater, from new students to working professionals, will benefit from this rich resource.
- Sales Rank: #250302 in Books
- Published on: 2008-04-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 6.00" l, .96 pounds
- Binding: Paperback
- 320 pages
About the Author
Allison Bergman, a director, dramaturg, writer, and educator, is a former artistic director of Broadway on Sunset and the cofounder of the West Coast Musical Theater Conference. She lives in New York City.
Tracey Moore is an actress and singer who appeared in the national Broadway tours of Camelot and Ragtime, as well as many other productions. The former head of voice and movement at Florida International University, she lives in New York City.
Most helpful customer reviews
5 of 7 people found the following review helpful.
Wonderful Reference!
By Mady
I was thrilled to find "Acting The Song". As a performer and a teacher/coach of musical theatre, this book is filled with great insights that help me organize my ideas and strengthen my approach.
5 of 5 people found the following review helpful.
Great tool for directors and students
By Alicia Richards
I have been directing high school musicals for the past decade, and found this book to be a breath of fresh air. After a while, you feel like you know every technique, game, or way to illicit a response from a student or performance, but this book brought some brand new stuff to the table.
I really liked the way concepts are broken down so a beginner can start at the beginning, and a more advanced actor/director can skip to the meatier parts.
Well written, with examples of exercises broken down, this has become a great resource for me.
3 of 3 people found the following review helpful.
This is an excellent and informative book if you are a teacher looking ...
By mary palazzolo
This is an excellent and informative book if you are a teacher looking for ways to help young people interpret musical theatre songs. If you are a classically trained musician looking for help on technique, the book is not it as it is very general. If you would like to dive further into the material, the book does provide footnotes.
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